Malayalam actor Asif Ali turns producer with Kohinoor.
'No late nights, no partying.' 'Though she avoided eating beyond her dietary regime, Sridevi loved to feed others.'
'I used to enjoy going on the set of the Ramsay Brothers' films -- half the time I would be running up and down, screaming, wearing chiffon saris, getting wet in the rain, doing sexy dances. It was great fun and there was no stress, no Sanjeev Kumar or Basu Battacharya...' Sarika tells us why she loves the horror genre.
'Dharam sir is so chilled; he is like a buddy.' 'I am scared of Sunny sir.' 'With Bobby sir, I can talk anything.'
'When people come to watch my work, I want them to take away something -- it could be the story, it could be an emotion they haven't felt in a very long time.'
'Irrfan transcended celluloid and gave us a taste of his humility and humanity,' observes Sukanya Verma.
Sasikala's declaration of staying away from politics does not necessarily have to mean that she was retiring for good. She is only taking time to evaluate the post-poll chances of hers before digging in again, if possible, says N Sathiya Moorthy.
A fun excerpt from Diptakirti Chaudhuri's Bollygeek: The Crazy Trivia Guide to Bollywood.
Learn to wear silver like the ladies of the silver screen.
Vote for your favourite Bollywood dance-off sequence!
''83 is a once in a lifetime story.' 'I often say that sometimes, I feel that you don't choose stories, stories choose you.' 'Why for the last 37 years was the story not made?' 'It's staring at our faces, the greatest sporting triumph for India ever.'
Margarita With A Straw was screened on Sunday at the ongoing Toronto International Film Festival.
Baahubali Director S S Rajamouli's next... R Madhavan in hospital... All this and more in Subhash K Jha's Bollywood Buzz.
In the midst of his hectic shooting schedule of Baaghi in Bangkok, Sudheer Babu did this exclusive telephonic interview for rediff.com regarding Bhale Manchi Roju.
'Politics has become a toilet because we delegate everything.' 'We have to catch a bus, watch a cricket match, live our life... we feel this (politics) is not part of our responsibility.'
Kaththi attempts to highlight the pathetic condition of farmers, whose lives are being destroyed by callous multinational corporations.
'My mother had a vivacious personality and it had to come out, and Vidya was our only choice.' 'She is mummy on screen!'
Aaha Kalyanam is a refreshing romantic comedy, writes S Saraswathi.
'I would've been the first butt of Bollywood onscreen.'
'What is the fun of making a film without any message?'
'The way the winners react and the speeches they deliver.' 'That is where the fun happens, when the actors and other winners let down their guard, challenge the system, talk about issues that should matter to us,' says Aseem Chhabra.
A look at the top posts on social media from your favourite Bollywood celebrities.
Here are the actors who can totally play Aladdin, Jasmine, Genie!
The latest Bollywood updates.
'If not now, then when will I take risks and enjoy myself?'
Samrat & Co. might be about an extraordinarily observational man's fight against crime but as far as cinema goes, this film is a crime against the genre.
'I have a goal that one day, before audiences walk into a theatre, they will think that it's a Taapsee Pannu film and so, it will be worth their time and money.'
'They are out there, singing about their socio-economic status, their family structures, their politics, the way the system treated them, what they would like to change... and the beauty is that they are positive.' 'They are not bitter or cynical.'
Check out the impressive line-up at the International Film Festival of South Asia.
'Relationships have changed so dynamically that the 'woh' doesn't have to be a person.'
'There's no love for the song or Madhuri, no consideration for what it meant to an entire generation and zero respect for its iconic choreography,' says Sukanya Verma.
'A lot of fraud films are being made in the name of realistic cinema.'
Siva Sankar looks at S P Balasubrahmanyam's fantastic repertoire.
